related articles

Cinema Audio Society Announces Nominees for 53rd Annual CAS Awards


cas2Los Angeles, CA  — The Cinema Audio Society announces the nominees for the 53rd Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2016 in seven categories.

“We are blessed this year with a rich portfolio of Cinema Audio art applied. As the creative contributions of sound mixing to modern filmmaking becomes more obvious to the world at large, these productions truly represent the talents of our community,” said Mark Ulano, CAS President. “We are proud to congratulate all our well deserving nominees for their stellar work. We also have the good news of announcing for the first time nominations for Outstanding Achievement in Sound Mixing for a Motion Picture Documentary.”



Doctor Strange

  • Production Mixer – John Midgley, CAS
  • Re-recording Mixer – Tom Johnson
  • Re-recording Mixer –Juan Peralta
  • Scoring Mixer – Peter Cobbin
  • ADR Mixer – Doc Kane, CAS
  • Foley Mixer – Scott Curtis

Hacksaw Ridge

  • Production Mixer – Peter Grace
  • Re-recording Mixer – Kevin O’Connell, CAS
  • Re-recording Mixer – Andy Wright
  • Re-recording Mixer – Robert Mackenzie
  • Scoring Mixer – Daniel Kresco
  • ADR Mixer – Diego Ruiz
  • Foley Mixer – Alex Francis

La La Land

  • Production Mixer – Steven Morrow, CAS
  • Re-recording Mixer – Andy Nelson, CAS
  • Re-recording Mixer – Ai-Ling Lee
  • Scoring Mixer – Nicholai Baxter
  • ADR Mixer – David Betancourt
  • Foley Mixer – James Ashwill

Rogue One: A Star Wars Story

  • Production Mixer – Stuart Wilson
  • Re-recording Mixer – Christopher Scarabosio
  • Re-recording Mixer – David Parker
  • Scoring Mixer – Joel Iwataki
  • ADR Mixer – Nick Cray
  • Foley Mixer – Frank Rinella


  • Production Mixer – Jose Antonio Garcia
  • Re-recording Mixer – John Reitz
  • Re-recording Mixer – Tom Ozanich
  • Scoring Mixer – Bobby Fernandez
  • ADR Mixer – Thomas J. O’Connell
  • Foley Mixer – James Ashwill


Finding Dory

  • Original Dialogue Mixer – Doc Kane, CAS
  • Re-recording Mixer – Nathan Nance
  • Re-recording Mixer – Michael Semanick, CAS
  • Scoring Mixer – Thomas Vicari, CAS
  • Foley Mixer – Scott Curtis

Kubo and the Two Strings

  • Original Dialogue Mixer – Carlos Sotolongo
  • Re-recording Mixer – Tim Chau
  • Re-recording Mixer – Tim LeBlanc
  • Scoring Mixer – Nick Wollage
  • Foley Mixer – Darrin Mann


  • Original Dialogue Mixer – Paul McGrath
  • Re-recording Mixer – David E. Fluhr, CAS
  • Re-recording Mixer – Gabriel Guy, CAS
  • Scoring Mixer – David Boucher
  • Foley Mixer – Scott Curtis

The Secret Life of Pets

  • Original Dialogue Mixer – Carlos Sotolongo
  • Re-recording Mixer – Gary A. Rizzo, CAS
  • Re-recording Mixer – David Accord
  • Scoring Mixer – Frank Wolf
  • Foley Mixer – Jason Butler


  • Original Dialogue Mixer – Paul McGrath
  • Re-recording Mixer – David E. Fluhr, CAS
  • Re-recording Mixer – Gabriel Guy, CAS
  • Scoring Mixer – Joel Iwataki
  • Foley Mixer – Scott Curtis



  • Re-recording Mixer – Jeffrey Perkins

Eat That Question: Frank Zappa in His Own Words

  • Re-recording Mixer – Mark Fragstein
  • Re-recording Mixer – Marvin Keil
  • Re-recording Mixer – Armelle Mahé


  • Re-recording Mixer – Mark A. Rozett, CAS
  • Re-recording Mixer – James Scullion

O.J.: Made in America

  • Re-recording Mixer – Keith Hodne
  • Re-recording Mixer – Eric Di Stefano

The Music of Strangers: Yo-Yo Ma and The Silk Road Ensemble

  • Production Mixer – Dimitri Tisseyre
  • Production Mixer – Dennis Hamlin
  • Re-recording Mixer – Peter Horner


11.22.63: The Rabbit Hole

  • Production Mixer – John J. Thomson
  • Re-recording Mixer – Pete Elia, CAS
  • Re-recording Mixer – Kevin Roache, CAS
  • ADR Mixer – Judah Getz
  • Foley Mixer – Brett Voss, CAS

Black Mirror: San Junipero

  • Production Mixer – Adrian Bell
  • Re-recording Mixer – Martin Jensen
  • Foley Mixer – Philip Clements
  • ADR Mixer – Rory de Carteret

Sherlock: The Abominable Bride

  • Production Mixer – John Mooney, CAS
  • Re-recording Mixer – Howard Bargoroff
  • Scoring Mixer – Nick Wollage
  • ADR Mixer – Peter Gleaves, CAS
  • Foley Mixer – Jamie Talbutt

The Night Manager: Episode 1

  • Production Mixer –Aitor Berenguer
  • Re-recording Mixer – Howard Bargroff

The People v. O.J. Simpson: American Crime Story

  • Production Mixer – John Bauman
  • Re-recording Mixer –Joe Earle, CAS
  • Re-recording Mixer – Doug Andham, CA
  • S ADR Mixer – Judah Getz
  • Foley Mixer –John Guentner


Better Call Saul: Klick

  • Production Mixer – Phillip W. Palmer, CAS
  • Re-recording Mixer – Larry B. Benjamin, CAS
  • Re-recording Mixer – Kevin Valentine
  • ADR Mixer – Matt Hovland
  • Foley Mixer – David Michael Torres

Game of Thrones: Battle of the Bastards

  • Production Mixer – Ronan Hill, CAS
  • Re-recording Mixer – Onnalee Blank, CAS
  • Re-recording Mixer – Mathew Waters, CAS
  • ADR Mixer – Richard Dyer, CAS
  • Foley Mixer – Brett Voss, CAS

Mr. Robot: eps2.8_h1dden-pr0cess.axx

  • Production Mixer – William Sarokin, CAS
  • Re-recording Mixer – John W. Cook II, CAS
  • Re-recording Mixer – Bill Freesh, CAS
  • ADR Mixer – Beaux Nyguard
  • Foley Mixer – Mike Marino

Stranger Things: Episode 7 “The Bath Tub”

  • Production Mixer – Chris Durfy, CAS
  • Re-recording Mixer – Joe Barnett
  • Re-recording Mixer – Adam Jenkins
  • ADR Mixer – Judah Getz
  • Foley Mixer – John Guentner

Westworld: The Original

  • Production Mixer – John Pritchett, CAS
  • Re-recording Mixer – Keith Rogers, CAS
  • Re-recording Mixer – Scott Weber
  • ADR Mixer – Mark Kondracki
  • Foley Mixer – Geordy Sincavage


blackish: God

  • Production Mixer – Tom N. Stasinis, CAS
  • Re-recording Mixer – Peter J. Nusbaum, CAS
  • Re-recording Mixer – Whitney Purple

Modern Family: The Storm

  • Production Mixer – Stephen A. Tibbo, CAS
  • Re-recording Mixer – Dean Okrand, CAS
  • Re-recording Mixer – Brian R. Harman, CAS

Silicon Valley: Daily Active Users

  • Production Mixer – Benjamin A. Patrick, CAS
  • Re-recording Mixer – Elmo Ponsdomenech
  • Re-recording Mixer – Todd Beckett

Transparent: Exciting and New

  • Production Mixer – Sam Hamer, CAS
  • Re-recording Mixer – Andy D’addario
  • Re-recording Mixer – Gary Gegan

Veep: Congressional Ball

  • Production Mixer – William MacPherson, CAS
  • Re-recording Mixer – John W. Cook II, CAS
  • Re-recording Mixer – Bill Freesh, CAS


Anthony Bourdain: Parts Unknown (Hanoi)

  • Re-Recording Mixer — Benny Mouthon, CAS

Deadliest Catch: The Widowmaker (Part 1)

  • Re-Recording Mixer — Bob Bronow, CAS

Grease Live!

  • Production Mixer – J. Mark King
Music Mixer – Bill Dawes
Playback and SFX Mixer – Eric Johnston
  • Protools Playback Music Mixer – Pablo Mungula

Mars: Novo Mundo

  • Re-Recording Mixer – Christopher Barnett, CAS
  • Re-Recording Mixer – Roy Waldspurger
  • Foley Mixer – Jason Butler

We Will Rise: Michelle Obama’s Mission to Educate Girls Around the World

  • Re-Recording Mixer – Rich Cutler

Final balloting for Outstanding Sound Mixing will open online Wednesday January 25th and ends Sunday, February 12th.

The Awards will be presented at a sealed envelope dinner on February 18th in the Bunker Hill Ballroom of the OMNI Los Angeles Hotel at California Plaza. During the awards the highest honor of the CAS, the CAS Career Achievement Award, will be presented to Production Mixer John Pritchett, CAS and the CAS Filmmaker Award will be given to Jon Favreau.

On the evening of the Awards the Cinema Audio Society website will be updated in real time as the winners are announced.

About the Cinema Audio Society
The Cinema Audio Society was formed in 1964 for the purpose of sharing information with Sound Professionals in the Motion Picture and Television Industry.

The objectives of the CAS are: to educate and inform the general public and the motion picture & television industry that effective sound is achieved by a creative, artistic and technical blending of diverse sound elements; to provide the motion picture & television industry with a progressive society of master craftsmen specialized in the art of creative cinematic sound recording; to advance the specialized field of cinematic sound recording by exchange of ideas, methods, and information; to advance the art of auditory appreciation, and to philanthropically support those causes dedicated to the sense of hearing; to institute and maintain high standards of conduct and craftsmanship among our members; to aid the motion picture & television industry in the selection and training of qualified personnel in the unique field of cinematic sound recording and to achieve for our members deserved recognition as major contributors to the field of motion picture & television entertainment.


Comments are closed.