As a genre, horror projects have their own set of rules when it comes to cinematography. From the lighting to…
TV
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Shedding Light on Darkness: An Interview with ‘Two Sentence Horror Stories’ Cinematographer Guy Pooles
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Composer Ryan Shore Discusses Bringing New Sounds to the Star Wars Franchise
When legendary composer John Williams told KUSC last year that Star Wars: Episode IX would be his last entry in…
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Emmys: How ‘Barry’ & ‘Silicon Valley’ Production Sound Mixer Benjamin Patrick Never Misses a Beat on Set
Creating a great comedy series isn’t all fun and games. It takes careful planning and blocking on set to make…
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CNN’s Super Bowl Special Uses Egripment’s Augmented Reality System
“Kickoff in Minnesota: A CNN-Bleacher Report Special” benefited handsomely as Egripment’s encoded T10 Telescoping Camera Crane and AR tracking interface,…
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Win a Front of Line Pass for the 2018 ‘America’s Got Talent’ Auditions in Los Angeles
Are you ready to show off your talent? Sound & Picture wants to send you to the front of the…
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Re-recording Mixer Tom Ryan on the Immersive Soundscape of CNN’s ‘Morgan Spurlock Inside Man’
When you hear the name Morgan Spurlock, you probably think of Super Size Me, the 2004 documentary about Spurlock’s 30-day…
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Cinematographer Nelson Cragg on ‘The People v. O.J. Simpson: American Crime Story’
Cinematography allowed aspiring storyteller Nelson Cragg to combine his academic background in English literature and fine arts. “When I went…