Archive for category: Wire

MLB Network’s Homerun with Cinegy

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  • April 17, 2014

cinegy_logoMunich, Germany & Las Vegas, NV — April 3, 2014 – Following the successful launch of Cinegy’s Digital ANImation Encoder Library (DANIEL) codec at IBC 2013, Cinegy is pleased to announce the recent acquirement of the DANIEL codec at MLB Network, Major League Baseball’s 24/7 cable TV network.

“MLB Network is moving to an Adobe Premier platform for all of our editing and we were challenged to find a codec that met our image quality needs and included alpha channel support. We tested the DANIEL codec and found it to meet our requirements for our Emmy Award-nominated “Field Of Dreamers” project for MLB Network Showcase game productions.” says Tab Butler director - Media Management & Post Production, MLB Network

Cinegy DANIEL is a professional, broadcast oriented video codec for video with alpha channel. DANIEL strikes the careful balance between computing requirements, video quality and bitrate requirements. DANIEL is an I-Frame codec and it is not mathematically lossless but it has a fairly high PSNR.

“The DANIEL codec allows us to tighten our workflow integration between our creative services, graphics department and our post production environment for sharing graphic content.” continues Butler

The standalone Daniel AVI codec allows installation on Windows machines and use in non-Cinegy products, e.g. Adobe AfterEffects to output animations with alpha channel for use with Cinegy Air as part of Type CG templates or simple animated logos.

For further information regarding the DANIEL codec or Cinegy, please visit Cinegy at NAB on booth SL 11116.

About Cinegy
Cinegy is a world-leading software development company specializing in innovative video, broadcast and OEM solutions for international broadcasters and equipment vendors.

Based on standard IT hardware and non-proprietary storage technology, Cinegy products are reliable, affordable, scalable, easily deployable and intuitive.

Cinegy’s Application Areas include:

  • Media Asset Management & Active Archive
  • Broadcast Automation and Playout Service
  • IP Signal Distribution and Monitoring
  • Workflow
  • Newsroom
  • Compositing & Effects, CG and Branding
  • MPEG Technology / Encoders / Decoders / Transcoders
  • Sports
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2G Digital, Burbank, and DuArt, New York, Form Strategic Partnership

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  • April 16, 2014

2gdigitalBurbank, CA — April 16, 2014 — 2G Digital, a Burbank post production facility specializing in digital supply chain services, and DuArt, a New York facility offering comprehensive post production services for video, digital media and film, have entered into a strategic partnership that will allow both companies to expand their geographic reach and add new services.

Under the agreement, the two companies will work cooperatively to service each other’s clients. 2G Digital clients on the East Coast will now be able to deliver media to DuArt for encoding and distribution to VOD/EST portals such as iTunes, Amazon and Netflix. DuArt, meanwhile, will now be able to provide file-based delivery services to its clients with 2G Digital acting as its fulfillment arm. Additionally, 2G Digital clients will gain access to a variety of other post production services offered by DuArt, including editorial, color correction and audio. The companies have established a direct, dedicated, high speed data link that will facilitate the transfer of media between their two facilities.

It’s a logical fit,” says DuArt VP of Operations Joe Monge. “Both companies gain a national presence and both can now provide services that they did not previously offer. Digital fulfillment is a service our clients increasingly need and this agreement allows us to meet that need with trusted partners who are experts in the field. 2G benefits by being able to service its New York accounts more efficiently, and through access to the sound, grading and finishing services that we specialize in.”

2G Digital COO Stephen Buchsbaum (left) DuArt VP of Operations Joe Monge (right)

2G Digital COO Stephen Buchsbaum (left) DuArt VP of Operations Joe Monge (right)

The agreement reflects an evolving post production industry that is increasingly national and international in scope, and one where delivery schedules are tightening. “We deliver content to iTunes, Google, Netflix, Amazon, Xbox, PlayStation and many other portals where turnaround time is critical,” observes 2G Digital COO Stephen Buchsbaum. “Having an outpost on the East Coast will make things quicker and more efficient for our clients there.”

One of the industry’s oldest and most successful independent providers of post-production services, DuArt has grown and diversified considerably in recent years. Its facility on West 55th Street in Manhattan features a total of 77 production offices, edit bays and audio production rooms. Its state-of-the-art DI color grading theatre has been upgraded with Barco’s newest  4K projector. The company plans to add another 21 edit bays by summer.

“DuArt has always aspired to be an all-in-one house,” observes Monge. “We want to be sure that when a client comes here with a project, we can deliver 99-percent of what they require. That made our decision to partner with 2G an easy one.”

2G Digital, too, has been operating in an expansion mode. It’s been beefing up its resources for mastering, transcoding, encoding and delivery, while implementing improvements in automated, high capacity workflows. “This is just the beginning for 2G,” says Buchsbaum. “We’re moving and growing in a lot of new ways.”

“We’re excited to team with DuArt,” Buchsbaum adds. “As one of New York’s oldest facilities, they have strong relationships and a great reputation—they are the real deal.”

About DuArt
DuArt is a full service post facility in NYC, servicing the broadcast and film industries. Operating out of their 12-story building in midtown Manhattan, DuArt provides video editing, color correct, voice recording, casting, 3D editing, direction for animation, music scoring, sound design, film and audio restoration, production space, and more. Since being established in 1922, DuArt has finished thousands of the world’s most loved feature films, documentaries, festival releases and television shows.

For more information, visit

About 2G Digital Post
2G Digital Post, Burbank, is a full-service post production and distribution facility serving media and entertainment clients with next-generation all-fiber technology and attentive customer service.

For more information, visit

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136th Audio Engineering Society Convention in Berlin to Feature Project Studio Expo

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  • April 10, 2014

aes_berlinNew York, NY — April 10, 2014 — The 136th Audio Engineering Society Convention (Saturday, April 26, through Tuesday, April 29, 2014, at the Estrel Hotel and Convention center in Berlin, Germany) will feature the European premiere of Project Studio Expo (PSE), which will take place on Saturday, April 26, and Sunday, April 27. PSE, which has been a well-attended, acclaimed event at the last two AES Conventions in the United States, offers a venue for focusing on some of the most timely and relevant areas of interest facing today’s personal studio users.

These comprehensive presentations cover topics of importance for all engineers and producers, and offer a level of detail as to be useful for anyone from beginner to pro. Topics include Basic Microphone Technology; Professional Mixes from Your Project Studio – Common Mistakes, Immediate Solutions; Electronic Dance Music: Live Performance Mixing Techniques; The Business of Being in the Music Business; How Did They Get that Sound?; Advanced Vocal Editing; Mastering Engineering – The Link to Your Audience and more. Hosted by notable industry engineers, educators, journalists and sponsors, the Project Studio Expo offers a unique chance to experience music production with top talent, tools and techniques. Learn best practices and insider tricks from the pros while interfacing with manufacturers and connecting with your peers. Admission is included with both free “Exhibits-Plus” and premium “All Access” registration options.

PSE Schedule:

Saturday, April 26

  • 11:00-12:00 — Session PSE1: Listening Like a Producer
    Presenter: Stephen Webber, Berklee College of Music – Valencia, Spain
  • 12:00-13:00 — Session PSE2: Basic Microphone Technology
    Presenter: Ron Streicher, Pacific Audio-Visual Enterprises – Pasadena, CA, USA
  • 14:30-15:30 — Session PSE3: Tracking and Levels
    Presenter: Carsten Kaiser, META4S Creative Studio – Hattingen, Germany
  • 15:30-16:30 — Session PSE4: Professional Mixes from Your Project Studio – Common Mistakes, Immediate Solutions
    Presenters: Alex Case, University of Massachusetts Lowell – Lowell, MA, USA
    Carsten Kaiser, META4S Creative Studio – Hattingen, Germany
    Stephen Webber, Berklee College of Music – Valencia, Spain
  • 16:30-17:30 — Session PSE5: Mixing: “What Is a Plate Reverb and Why Does It Still Matter in Today’s Digital World?”
    Presenter: Alex Case, University of Massachusetts Lowell – Lowell, MA, USA
  • 17:30-18:30 — Session PSE6: How Did They Get that Sound?
    Presenter: Carsten Kaiser, META4S Creative Studio – Hattingen, Germany

Sunday, April 27

  • 10:00-11:00 — Session PSE7: Advanced Vocal Editing
    Presenter: Carsten Kaiser, META4S Creative Studio – Hattingen, Germany
  • 11:00-12:00 — Session PSE8: EDM: Live Performance Mixing Techniques
    Presenter: Stephen Webber, Berklee College of Music – Valencia, Spain
  • 12:30-13:30 — Session PSE9: Setting Up Your Own Chamber Reverb at Home
    Presenter: Alex Case, University of Massachusetts Lowell – Lowell, MA, USA
  • 13:30-14:30 — Session PSE10: Mastering Engineering—The Link to Your Audience
    Presenters: Gavin Lurssen, Lurssen Mastering – Los Angeles, CA, USA
    Andrew Mendelson, Georgetown Masters – Nashville, TN, USA
    Michael Romanowski, Michael Romanowski Mastering – San Francisco, CA, USA; Owner Coast Recorders
  • 15:00-16:00 — Session PSE11: How Did They Get that Sound?
    Presenter: Alex Case, University of Massachusetts Lowell – Lowell, MA, USA
  • 16:00-17:00 — Session PSE12: The Business of Being in the Music Business
    Presenters: David Miles Huber, – Seattle/Berlin; Seattle/Berlin
    Carsten Kaiser, META4S Creative Studio – Hattingen, Germany
    Gavin Lurssen, Lurssen Mastering – Los Angeles, CA, USA
    Andrew Mendelson, Georgetown Masters – Nashville, TN, USA
    Stephen Webber, Berklee College of Music – Valencia, Spain

AES has a long history serving the recording community, from the early days of monophonic vinyl to today’s modern multichannel digital audio formats. With the rise of project studios and vast sea of equipment and platforms surrounding it, many home recordists may be at a loss on how to approach the technology. The Project Studio Expo brings together the top people, tools and techniques, in order that attendees can learn best practices and tricks from the pros and learn from and connect with their peers.
“The Project Studio Expo is AES’s response to a music production and recording business that has migrated from the traditional big commercial studios to the plethora of diverse environments that audio is being produced in today,” stated Bob Moses, AES Executive Director. “Audio professionals need focused and competent training on a huge range of skills to run their business today, and AES is here to provide a foundation for that training.”

For more information on AES136 technical program, presenters and FREE Exhibits-Plus registration, visit the AES136 Convention web page at

About the Audio Engineering Society
The Audio Engineering Society was formed in 1948 and now counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. Currently, its members are affiliated with more than 75 AES professional sections and more than 95 AES student sections around the world. Section activities may include guest speakers, technical tours, demonstrations and social functions. Through local AES section events, members experience valuable opportunities for professional networking and personal growth. For additional information visit

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Shotoku Broadcast Systems Launches New Carbon Fiber Tripod System

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  • April 7, 2014

shotoku418Las Vegas, NV — April 7, 2014 – Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, introduces its new 2-stage TTH1502C Carbon Fiber Tripod, as well as demonstrating its superior manual pan & tilt solutions at this year’s 2014 NAB Show in Booth C8731.  Long recognized for its advanced technology and solid, high-performing products, Shotoku’s solutions target OB, studio, and in-the-field production applications.

“We look to important industry shows such as NAB as a chance for us to show just how rugged and technologically advanced our manual product lines are to industry professionals visiting our booth for the first time,” says John O’Keefe, VP sales & marketing, Shotoku Inc. “This year we introduce a brand new tripod — our 2-stage TTH1502C carbon fiber tripod — as well as offer attendees a closer look at our most-popular pan & tilt solutions.”

TTH1502C Carbon Fiber Tripod
Shotoku’s new 2-stage TTH1502C carbon fiber tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fiber legs, the tripod weighs a mere 13 lbs. (5.9kg), features a 150mm bowl base, and stands over 5’ (1615mm) tall at its maximum height.  Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

SX300 Pan & tilt Head / TP200 Pneumatic Pedestal
One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 88 lb (40 kg) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball.  Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

The SX300 is a perfect match for Shotoku’s ergonomically designed TP200, a two-stage pneumatic pedestal. The pedestal handles a maximum payload of more than 177 lbs (80kg) and supports a wide range of camera configurations. Its perfectly balanced column and base offer maximum stability and great operational flexibility. One-step foot brake and single-action cable guard enables precise movements and control at all times for fast, easy positioning.

SG900 Pan & tilt Head
Shotoku’s well-received SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package.  Ideal for OB and studio production with teleprompters or box type lenses, the SG900 supports 198 lbs (90 kg), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA.  The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK.  For further information:

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RUSHWORKS Presents Revolutionary Production Systems that Save Money, Increase Production Value

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  • April 7, 2014

rushworks418product copyLas Vegas, NV — April 7, 2014 – RUSHWORKS is revolutionizing the stage at this year’s NAB with live demonstrations of its extraordinary new PTZ production systems that raise production values to new levels while reducing acquisition and operating costs at its Booth SL7627.

RUSHWORKS, providing low-cost, high-performance production, automation and video streaming solutions since 2001, is showing new and enhanced versions of its touch screen control systems, a companion compact pan/tilt head with built-in VISCA serial control protocol, and a hardware/software production studio bundle.

“RUSHWORKS is proud to display our established solutions as well as some new and innovative offerings at NAB,” stated Rush Beesley, RUSHWORKS president. “Our booth this year includes comprehensive demonstrations illustrating how our automation and production solutions function without operator intervention, drastically reducing labor costs.  We’re showing attendees our new CTRL R touch screen software that can control up to 16 PTZ cameras, and our new, cost-effective and compact PT-MINI pan/tilt head designed to work with a wide range of camcorders to provide full pan, tilt and zoom control.”

CTRL R Touch Screen PTZ Camera Control Software
CTRL R is a touch screen PTZ camera control software application that controls up to 16 cameras, and runs on tablets or computers with Windows 7/8 operating systems. The software provides pan, tilt, zoom, focus and iris control, and is compatible with virtually all standalone PTZ cameras that support serial or IP protocol, including Sony, Panasonic, Canon and Vaddio. It also interfaces with RUSHWORKS new PT-MINI pan/tilt heads on which you can place any camera that supports LANC or JLIP remote control. This versatile, scalable and attractively priced software-only solution replaces traditional hardware devices, and allows producers to create, save and name a virtually unlimited number of presets. This PTZ camera control software achieves a new level of cost-effective production capability that requires no operator intervention.

PT-MINI Compact Pan/Tilt Head
The new PT-MINI works with RUSHWORKS CTRL R software, CTRL R PRODUCTION STUDIO software/hardware, or VDESK/REMO system configurations.  The PT-MINI supports built-in VISCA serial control protocol through a CAT-5 cable that provides DC power and RS-422 bi-directional serial communications between the computer and the heads. A short mini-TRS cable connects the head with the Remote connector on the camera. Inexpensive camcorders generate remarkable image quality when compared with more expensive, standalone PTZ cameras. Further, productivity and return-on-investment is maximized because camcorders can be used for traditional field production between meetings and events.

This hardware/software bundle integrates CTRL R PTZ camera control with the Blackmagic ATEM Television Studio and HyperDeck recorders, providing turnkey SD/HD/4K production capability. Any camera’s selected preset automatically switches to Preview, with one-touch AUTO or TAKE to air. Graphics can also be selected and displayed. Other switcher interfaces are also available.

This is the new entry-level offering based on RUSHWORKS’ established VDESK/REMO Integrated PTZ Production Systems. VDESK LTD has a maximum of four inputs that can be configured for analog or SDI input sources, and supports both SD and HD production switching, encoding and streaming. PTZ camera control is also included.

VDESK and REMO Touch Screen Integrated PTZ Multi-Camera Production Systems
VDESK is designed for multi-camera production using NO camera operators! Using RUSHWORKS touch screen interface, control up to 12 PTZ cameras and link user-defined, named presets with “lower third” titles and graphics. Use the File Brower to create playlists with clips and graphics for event roll-ins. Record and playback MPEG-2, MP4 and AVI files with IMAG output and simultaneous streaming.

“Ultimate Flypack” that includes the entire VDESK feature set, but is configured in a “carry on” ruggedized case for mobile production. Up to 8 inputs are supported.

VDESK RADIO/TV Video Streaming System
VDESK RADIO/TV transforms a radio station into an Internet TV station! This video streaming and recording system allows broadcasters to generate additional revenue streams by placing their brand on mobile media and Internet TV screens. Configured with PTZ cameras, the touch screen interface replicates chair and microphone placements in the studio.  A simple touch of the screen icon places air personalities and guests on-the-air within seconds. The program is packed with lots of cool effects for visually exciting, dynamic, and unique production output … from multiple animated text layers and automated ‘snipes’ to double-box shots for Skype interviews.  Programming can be streamed to PC, MAC, iPhone, iPad, Android, Roku and GoogleTV.

Founded in 2001, RUSHWORKS provides low-cost, high-performance television production, automation and video streaming solutions. These scalable and extensible solutions integrate networked video and graphics servers and encoders with “powerfully simple” automation software for Houses of Worship, Broadcast, Cable, PEG channels, Meetings, Events and Digital Signage. The company also designs and installs turnkey integrated media solutions for city government channels, including automation systems, encoders, audio support systems, large screen monitors, video presenter solutions, and other meeting room AV support.  For further information:

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RUSHWORKS Demonstrates Increased Automation Functionality at NAB 2014

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  • April 7, 2014

rushworks418 copyLas Vegas — April 7, 2014 – RUSHWORKS, provider of low-cost, high-performance automation, production, and video streaming solutions is unveiling new integration and enhancements to its “powerfully simple” A-LIST BROADCAST AUTOMATION solution at NAB 2014. The company is offering show attendees demonstrations of the solution’s increased functionality at its Booth SL7627 in the LVCC.

“Here at NAB, we are talking with attendees about what we call our ‘powerfully simple’ solution because it’s incredibly easy to configure and operate, yet robust enough to address the needs of applications that vary from traditional broadcast to Internet,” explained Rush Beesley, president. “In addition, our return on investment and price/performance package is attractive for traditional broadcasters, PEG channels and Web/IPTV station operators.”

A-LIST Automation features up to four SD or HD playback channels in a chassis, with ‘live’ input pass-through and recording, and multiple layers of downstream graphics including bugs, crawls, and EAS.  Multiple playback formats are supported, with real-time up-conversion from SD to HD. The system supports drag-and-drop playlist creation with added productivity features that significantly enhance workflow.

New for NAB
A-LIST now integrates the WeatherBug API for zone display of local weather and has the ability to insert playlists within the master playlist. New features that support playlist management of “live” events include Delay Start and Join In Progress.

SegmentR is a new stand-alone video file segmenting utility that supports fast, accurate trimming of segments within MPEG-2 or MP4 files. Segment information can be saved as metadata within the file, or individual segments can be exported as discrete files. SegmentR is interfaced with the Contour ShuttleXpress for maximum speed and efficiency when segmenting.

Founded in 2001, RUSHWORKS provides low-cost, high-performance television production, automation and video streaming solutions. These scalable and extensible solutions integrate networked video and graphics servers and encoders with “powerfully simple” automation software for Houses of Worship, Broadcast, Cable, PEG channels, Meetings, Events and Digital Signage. The company also designs and installs turnkey integrated media solutions for city government channels, including automation systems, encoders, audio support systems, large screen monitors, video presenter solutions, and other meeting room AV support.  For further information:

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Jampro Turns Heads at NAB 2014 with Full Line of Antennas and Filters

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  • April 7, 2014

jampro_logoLas Vegas, NV — April 7, 2014 – Jampro Antennas, Inc. — a world leader in the manufacture and design of antennas, combiners & filters and RF components for every application in radio and television broadcast including DTV, DVB-T, FM and HD Radio solutions — is showcasing its full assortment and custom options of its newest antennas and filters at this year’s 2014 NAB Show in Booth C2617.  The company’s product family includes the popular UHF Broadband Medium Power panel antenna, the JVD-U and JCD-U broadband antennas for UHF Bands IV & V, and its competitively priced RCEC family of mask filters.

“We have so many great solutions and options for our customers in the radio and TV broadcast market,” said Alex Perchevitch, Jampro president. “Jampro has not only provided more than 25,000 broadcasters worldwide with top-performing antennas, combiners, filters and RF components, but have proved our consistency and dedication to our world-wide customer base by serving the needs of individual broadcasters with fully customizable, high-quality and competitively priced systems. At this year’s NAB, we are showing attendees how our solutions address every type of broadcast application.”

At the 2014 NAB Show, Jampro is exhibiting broadband solutions that bring great value and outstanding features to all segments of the broadcasting industry.

UHF Broadband Medium Power Panel Antenna for All Polarizations
Jampro‘s UHF Broadband Medium Power panel antenna is now available for Bands IV & V in all polarizations: CPOL, EPOL, HPOL and VPOL.  The antenna is designed as either a side-mount or a top-mount for DTV, ISDB-T, DVB-T/H, NTSC or PAL broadcasting.

JVD-U and JCD-U Broadband UHF Broadband Antennas
Now available for both VPOL and CPOL polarization the JVD-U and JCD-U broadband antennas for UHF Bands IV & V, these antennas were designed as low to medium power solutions, with a special focus on rooftop deployment. The antenna is a vertically or circularly polarized system enclosed by a full cylindrical radome for environmental protection and minimal urban visual impact. The antenna is broadband over band IV/V allowing multiple UHF channels to be transmitted at the same time. Ruggedly constructed from marine brass and aluminum and designed for long life and value, this antenna is ideal for DVB-T2 (ISDB-T or ATSC digital TV application) channels. The antenna is fully assembled and tested before shipping to the customer.

JAT-U UHF Super Turnstile Antenna
Jampro’s Broadband Batwing IV/V 470 – 860 MHz Antenna has many outstanding features that bring great value to today’s broadcaster.  The radome-enclosed unit can be either top or side mounted on a tower offering long life and many years of continuous service, ideal for broadband multi channel UHF applications.  Minimum windloading while providing broadband response makes the JAT the perfect answer for applications where either one channel is defined, or multiple channels are combined.

Prostar JA/MS-BB Broadband UHF Slot Antenna
Jampro’s JA/MS-BB Broadband UHF Slot antenna, part of the legendary Prostar™ line, offers an economical alternative to buying, installing and maintaining multiple antennas. A single, compact solution, it conserves tower space and minimizes wind loading. Especially designed for multi-channel or combined-channel operations in analog-analog, analog-digital or digital-digital TV applications, the JA/MS-BB antenna comes factory tuned in an elegant, ready-to-install and streamlined design.

Jampro Family of RCEC Mask Filters
Jampro offers a family of RCEC mask filters designed to provide superior mask filter performance at an affordable price. Cross coupling creates steep rejection skirts and the high-Q cavities provide low pass band insertion loss in a compact package.

Models include:

  • RCEC-386-UM – 5kW AVG, UHF 8”/203.2mm mask filter ATSC/DVB-T/ISDB-T
  • RCEC-206-UMFB – 2.5kW AVG, 6-section cross-coupled UHF DVB-T non-critical mask filter
  • RCEC-#F6-UM – 500W, UHF 4”/101.6mm mask filter ATSC/DVB-T/ISDB-T
  • RCEC-DT6-UM – 250W, UHF 2”/50.8mm mask filter ATSC/DVB-T/ISDB-T

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit:

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